DOMMUNE Presents「LANDSCAPE MUZAK」PROJECT SADO♯3

Zeami, a master of Noh, was exiled to Sado after falling out of favor with the Shogun. While on Sado, he lived in various temples, and though his later whereabouts are unclear, some believe he sought refuge with his daughter.

Sado developed a vibrant Noh scene, with over 300 stages built from the Edo to Meiji Periods. It’s uncertain if Zeami personally taught here, but the Kanayama Magistrate's Office likely played a role in spreading the art.

In this context, we introduce the DOMMUNE "LANDSCAPE MUZAK" project, featuring artist Keiji Haino. This initiative aims to create "Kyo Noh," treating the stage as an acoustic device.

Haino explored techniques such as placing earthenware pots under the stage to enhance the sound. A renovated Edo-Period Noh stage now hosts his performance of "Kyo Noh," captured on video for exhibition.

This project invites reflection on the themes of nothingness and emptiness, merging Sado's rich Noh history with modern experimentation. What will you discover at this unique intersection?