This monument commemorates the birthplace of modern Satsuma ware, a form of ceramic art developed under the leadership of Shimazu Nariakira, the 28th head of the Shimazu family.

Satsuma ware itself has much older roots. It began in the late 16th century, when Shimazu Yoshihiro, the 17th family head, brought skilled potters back to Kagoshima from the Korean Peninsula. Over time, the tradition evolved into two distinct styles: black Satsuma and white Satsuma ware.

Nariakira focused on white Satsuma, originally known for its quiet elegance and restrained decoration. With an eye toward international markets, he sought to transform it into a more ornate style suited to European tastes and began planning for overseas export.

More than a dozen large climbing kilns were constructed as part of the Shuseikan Project. Extensive research was conducted on glazes and pigments. New techniques, such as raised gold decoration, were refined. Through this experimentation, a richly decorative style of Satsuma ware emerged.

Although exports did not begin during Nariakira’s lifetime, Satsuma ware was exhibited at the 1867 Paris Paris World Exposition, where it received high international acclaim. This event marked a turning point, after which Satsuma ware was exported in large quantities and became known worldwide as “SATSUMA.”

Today, Satsuma ware remains one of Kagoshima’s most celebrated traditional crafts, admired by collectors around the globe.